![]() “At this point, everybody’s so comfortable with the tool, it would be impossible.” “You can’t do it,” Scott Farrar, the visual effects supervisor at Industrial Light & Magic who oversaw Transformers: Age of Extinction, told VentureBeat. Which begs the question: Could Hollywood even make visual effects-heavy films these days without Maya? ![]() Maya’s been used on every winning film since 1997, an uninterrupted run that has meant big business for Autodesk as the tool - which costs $185 a month, or $3,675 up front, per license - has been adopted by everyone from the most accomplished professional levels of the visual effects and animation industries to individual amateurs and students just getting started in their careers. ![]() Indeed, the visual effects and animation teams on all 10 films considered for this year’s Oscar nomination, and all five that received nominations this morning, used Maya, a powerful, customizable tool that enables deeply complex processes like character animation to look seamless and realistic on the silver screen.Īnd it’s not just this year. ![]()
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